Dance and Drawing. And more on the space in between.
Choreographer Pina Bausch’s Vollmond ran a few weeks ago at the Brooklyn Academy of Music. I attended on a less-than-cold Fall evening, privy to this pseudo-epilogue of performance that created more atmospheric nostalgia for the now deceased Bausch than it did raise an ovation for the content itself. In truth, Bausch’s Tantztheater always bordered life [...]